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Kathryn Reichert Photography

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Kathryn Reichert Photography

  • Home
  • Bodies of Work
    • Threaded
    • Hypnagogia
    • Gilded
    • Genetically Modified
    • Where Your Feet Are
    • Places We Have Been
    • Exotic Interior Landscapes of Supermarket Flowers
    • How My Son Sees It
  • Film & Alt Pro
  • blog
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    • CV
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Behind-the-Scenes at Lock Ridge Park

September 18, 2020 Kathryn Reichert
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About two weeks ago I was scouring the web for interesting places to shoot some birthday photos. Any opportunity to get out and see somewhere new is always welcome… and I’m especially partial to old, well-worn buildings. When I came across Lock Ridge Park in Albertis, PA, it was pretty much love at first site.

The park wraps around an iron ore blast furnace built in 1868 by the Lock Ridge Iron Company. Furnaces were built throughout the next few years as it changed ownership. When it finally closed in 1921, it was the last operating anthracite iron furnace in the US. Eventually, what remained of the furnace was donated to the Lehigh Valley county to be used as a park and has been open as such since 1976.

Lock Ridge was a fantastic place to explore; it had everything from rivers to walking paths to forest to numerous castle-like remnants of buildings. Around every corner was something new and wild to see. It’s easy to see why it’s a popular destination for many event photographers in the area.

Keep scrolling to see my take on Lock Ridge Park during our location stake-out.

More shots from some east-coast exploring on the way!

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In film photography, photography Tags canonae1, kono, kono monolit 64, black and white, 35mm, location scouting, destinations, historic sites, decommissioned, lock ridge park, pennsylvania, road trip
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Where Your Feet Are

February 26, 2020 Kathryn Reichert
Tea and Toast, 2020, shot with Canon AE-1 on Cinestill 50D 35mm

Tea and Toast, 2020, shot with Canon AE-1 on Cinestill 50D 35mm

“Where are your feet?”

It’s a pretty obvious question and the old me would’ve probably jumped in with a “on my legs!” with a sassy snicker to follow. But for all of its apparent simplicity, its been a question that hasn’t been all that easy for me to answer lately. It takes thought, an inventory, and then a stern talking-to when I inevitably discover I’m lying to myself.

Over the past few months, I have been actively trying to be more present. What started as a quirk became an indication of a more serious problem. I found my mind drifting further and further, from innocent daydreaming, to the need to escape, to becoming a prisoner in this world I had created. Very long story short, I became lost. I still am. Often.

Untangling the “real world” from what I have been living has been like picking at knots. A little tug here, a pull there; slowly the root of the mess comes into focus, but you know you’ve got your work cut out for you. With the knot disappearing, a dividing line begins to take shape, distinctly differentiating “here” from “there.” Herein lies the question. “Where are your feet?” reminds me to take stock. Am I here or there? Am I where I need to be? Am I present?

I know there are merits to waiting until a series of work is complete before presenting it, but I want to share “Where Your Feet Are” from the beginning. This series is about the unraveling of the knot- about progression rather than the final product. As I take time to be mindful and present, I find myself in a quiet exploration of the world (for lack of a better term) that I’ve long neglected. There is beauty in simple, banal scenes. To acknowledge the place of these scenes in my every day, to study them, is to be thoroughly present. It’s like seeing everything for the first time; reading a novel in the light and shadows of a simple dish towel, of the fragility of the dust on the shelves, the strength in a lopsided stacks of dishes. It is a recognition of the precarious balance of permanent and temporary existence.

As my understanding of place continues to evolve, this series will evolve with it. Photos will come and go, but I feel the most important part is the changing vision. Right now there is quiet, there is a lot of contemplation. Over the next few years, maybe we will see brighter, louder counterparts. Who knows? If I’ve learned anything these last few months, it is that the mind is not to be rushed. It can be best to let things just come in their own time. In the words of an old friend, just “be where your feet are.” And my feet are not running anywhere.

Where They Meet, 2020, shot with Canon AE-1 on Cinestill 50D 35mm

Where They Meet, 2020, shot with Canon AE-1 on Cinestill 50D 35mm

Bird Bath, 2020, shot with Canon AE-1 on Cinestill 50D 35mm

Bird Bath, 2020, shot with Canon AE-1 on Cinestill 50D 35mm

Sew, 2020, shot with Canon AE-1 on Cinestill 50D 35mm

Sew, 2020, shot with Canon AE-1 on Cinestill 50D 35mm

Pane, 2020, shot with Canon AE-1 on Cinestill 50D 35mm

Pane, 2020, shot with Canon AE-1 on Cinestill 50D 35mm

Winter Morning, 7:00 am, 2020, shot with Canon AE-1 on Cinestill 50D 35mm

Winter Morning, 7:00 am, 2020, shot with Canon AE-1 on Cinestill 50D 35mm

MMA, 2020, shot with Canon AE-1 on Cinestill 50D 35mm

MMA, 2020, shot with Canon AE-1 on Cinestill 50D 35mm

In photography Tags photography, fine art, 35mm, analog, cinestill, canon, where your feet are, mindfulness
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